Table of contents
Op-ed / Debate

Planting Seeds for a More Ethical Future

Three contributors to a special series reflect on why slowing down and building trust between community partners is fundamental to decolonizing anthropology—and our shared future.
A photograph features a large body of water with a cityscape visible in the distance. On the left side, a person stands on a wooden pier near a white sign that reads: “PLEASE KEEP YOUR PIER CLEAN. USE TRASH CANS.”

The Middle Branch of Baltimore’s Patapsco River is the site of a pilot aquaculture project for food sovereignty and environmental stewardship, co-led by the Black Yield Institute and partners at Johns Hopkins University.

Nicole Labruto

This contribution is part of the special forum Can Anthropology Be Decolonized? Read the introduction to the series here.

“I’ve thought about things,” Brother Eric wrote to Nicole and Anand one afternoon. “We need to discuss a few concerns. We should pause and reconnect.”

The two professors found the message unnerving. Anthropologists at Johns Hopkins University, they’d been working with Brother Eric and the Black Yield Institute (BYI), a nonprofit organization in Baltimore, Maryland, in a community-based practicum in sustainable design. They were scheduled to pursue a collaborative design exercise, with the university class and the community organization “ideating” together on project ideas related to the organization’s work in cultivating Black land and food sovereignty.

The three of us talked the next day. “I don’t want to call it haste,” Brother Eric said to the anthropologists, “but this is moving at a pace that isn’t working for us.”

The request illuminated the privilege and inequality structuring the partnership. The professors had led with the academic calendar, rather than the rhythm of a genuine relationship. Brother Eric made clear that more work had to be done on the partnership itself, on the trust that made it possible.

An imperialist spirit permeates the culture of elite academic institutions, quietly shaping even well-meaning endeavors like community collaboration. The heritage of white supremacy contradicts the ways that academics in such places often define themselves—as anti-racist, anti-colonial progressives. For a Pan-African power building and social movement organization like BYI, this contradiction represents a kind of apartheid: between thought and action, between the politics invoked and what is actually practiced.

Imperialism’s main objective is extraction, and extraction often happens in haste. Slowing down helps dismantle this tendency toward urgency in university-community relationships. Taking deep pauses to listen, pay attention, and communicate is necessary to deconstruct and shift power in such collaborations. For BYI, relationships are the building blocks of any social movement. These relationships must be molded and developed over time.

The professors and students in the class had imagined the outcome as a product of some kind, something designed to support the work of the organization. They learned, over time, that the process itself and the relationships built along the way were the products.

It takes time to build relations founded on dignity, respect, and humanity. We have to absorb, in a tangible way, the ethos of a partner, their flow of being, what movement in a process means for them. This is an ethical practice that elite institutions seldom make time for or incentivize.

As a collaborative team, we’re still working this out together. We’ve been developing an exploratory project for community-based aquaculture on the Baltimore shoreline as a new strategy for Black food sovereignty and environmental stewardship. We rely on our training but also a shared commitment to Black political education. Lately, we’ve been talking about the work of Dr. Amos Wilson, the Pan-African theorist and psychologist.

“Culture is instilled in our bodies and in our minds,” Wilson says. “Our history dwells in us,” he suggests, like “… a possessing spirit.” The essential task of decolonizing culture therefore takes us far beyond an academic discipline like anthropology. What would it take for this field to contribute more effectively to the wider struggle for cultural liberation?

Anthropology must be from the bodies and minds of people; this is the only way to transform the discipline—and the world. This can only come, however, with time given to pause, to listen, and to question the momentum that keeps unequal relations fixed in place. Movement has to happen at the pace of the natural flow of relationship and community. The espousal of ethics means little without the embodiment of this ethos in practice; pause and flow can take us there.

We’ve been experimenting with what is possible, trying to imagine together what we haven’t been able to imagine on our own. We still don’t know where this will go. But we do know that abiding with the uncertainty will be fundamental.

Seeds go down before they come up, down into the abyss of inheritance: all the depths of time that the soil quietly carries, the underlying violence that remains with us still. So much turns on whether we can give these seeds the time they need, the chance to yield a more ethical future.

Eric Jackson is an organizer, educator, author, and filmmaker. He serves as the visionary and a co-founder of Black Yield Institute, an organization committed to building a movement toward Black land and food sovereignty in Baltimore, Maryland. He and his team are committed to building a cooperatively owned grocery store in South Baltimore, while also conducting Black-led research, facilitating political education, and organizing an action network. A Baltimore native from the Cherry Hill Community, Jackson is the recipient of numerous awards and a public speaker who has presented hundreds of addresses and workshops to diverse groups about food sovereignty, building power, and establishing strong organizations to address complex social issues, specific to people of African descent.

Nicole Labruto is a cultural anthropologist who studies biology and sustainability in Brazil and the U.S. She received her Ph.D. from the Massachusetts Institute of Technology and is currently an assistant research professor at Johns Hopkins University. Her current book project, Sweet Monster: Culturing Sugarcane in Brazil, examines how bioscientists in Brazil are leveraging colonial plantation infrastructures and technologies for sustainability-oriented climate change solutions in Brazil and Mozambique. Labruto is also working on several funded projects related to environmental justice in Baltimore: one on food sovereignty and aquaculture, one on composting and zero-waste transitions, and one on multi-scalar sustainable food systems.

Anand Pandian is a professor of anthropology at Johns Hopkins University. His recent books include A Possible Anthropology: Methods for Uneasy Times and Crumpled Paper Boat: Experiments in Ethnographic Writing. Pandian is working on a new book about indifference in contemporary American life—the everyday arrangements that allow cruelty to harbor in the most banal of circumstances. Follow him on Twitter @anandspandian. Any views stated on this site are Pandian’s own and do not express the position or views of Johns Hopkins University.

Republish

You may republish this article, either online and/or in print, under the Creative Commons CC BY-ND 4.0 license. We ask that you follow these simple guidelines to comply with the requirements of the license.

In short, you may not make edits beyond minor stylistic changes, and you must credit the author and note that the article was originally published on SAPIENS.

Accompanying photos are not included in any republishing agreement; requests to republish photos must be made directly to the copyright holder.

Republish

We’re glad you enjoyed the article! Want to republish it?

This article is currently copyrighted to SAPIENS and the author. But, we love to spread anthropology around the internet and beyond. Please send your republication request via email to editor•sapiens.org.

Accompanying photos are not included in any republishing agreement; requests to republish photos must be made directly to the copyright holder.