While the magazine has closed, its living archive endures—open to all and preserving the many ideas, voices, and discoveries that deepen our understanding of what it means to be human.
The retelling of one of America’s Founding Fathers showcases how some people need to hustle to get ahead—highlighting the problems of systemic racism in U.S. society.
Pandemic Bakers Bring the Past to LifeAs people sheltering at home take on ambitious kitchen projects, a few experimental archaeologists are reclaiming recipes from ancient societies.
Indigenous Cultures Have Archaeology TooIn Papua New Guinea, Indigenous peoples have been interpreting their ancestral landscapes for generations.
Why Capitalizing “Black” MattersSAPIENS supports and adopts the recent change made by many publications to capitalize Black in recognition of the significance of a person or group’s identity—yet, as an anthropology magazine, we must dive deeper into the “myth of race.”
Archaeologists Respond to the Black Lives Matter MovementA recent panel discussion encouraged scholars from across the U.S. to consider the experiences and contributions of Black people in this discipline.
As the Statues Fall: A Conversation About Monuments and the Power of MemoryIn this webinar, scholars and artists share their insights on the power of monumentality and the work they are doing to reconfigure historical markers.
Were Women the True Artisans Behind Ancient Greek Ceramics?A new paper makes the case that scholars have ignored the role of female ceramicists in Greece going back some 3,000 years—and that this failing could speak to a more consequential blind spot involving gender.
Reflecting on the Rise of the HotepsAn anthropologist looks at a U.S. subculture inspired by ancient Egypt and its effort to foster a particular Black identity.
Who Gets to Study Whom?As the field of anthropology struggles to shed its colonial past, the discipline has inadvertently put constraints on anthropologists of color who already face racism, bias, and discrimination.
What Ancient Gender Fluidity Taught Me About Modern PatriarchyNonbinary genders and male hierarchy as expressed in Ecuadorian clay sculptures led one archaeologist to see biases in her modern life with fresh eyes.