While the magazine has closed, its living archive endures—open to all and preserving the many ideas, voices, and discoveries that deepen our understanding of what it means to be human.
Selecting art for the magazine often raises sticky anthropological questions about ethics, representation, and storytelling.
Spelling a Nation’s NameAn archaeologist grappling with the recent history of war and genocide in the Balkans dives into the debate over how to name the territory known as either “Kosova” or “Kosovo.”
When the “Gift” of Immigration Comes With StringsAn anthropologist examines how refugees fleeing violence experience hospitality in Turkey—and the burdens attached.
From the Margins to the Mainstream: Black and Indigenous Futures in ArchaeologyInspired by recent Black Lives Matter protests, a new webinar series explores how contemporary activism around social justice and civil rights is transforming the discipline of archaeology.
Who Gets to Study Whom?As the field of anthropology struggles to shed its colonial past, the discipline has inadvertently put constraints on anthropologists of color who already face racism, bias, and discrimination.
Haitian Deportees Face an Unconscionable Crisis During the PandemicFor Haitian nationals who are being deported from the U.S. amid the COVID-19 pandemic, racial injustices and health inequities run deep, to tragic effect.
Why “We” Isn’t for EveryoneJust when authors think they’re including everyone, they might be leaving someone important out.
Is Celebrity Attention Helping or Hurting Amazonian Peoples?As stars around the world petition Brazilian President Jair Bolsonaro to protect Indigenous peoples from the COVID-19 pandemic, anthropologists debate whether the call for action reproduces longstanding racist claims.
A Curator’s Search for JusticeOne museum’s saga of returning stolen vigango statues to Kenya reveals how repatriating sacred objects is both the right thing and a very hard thing to do.
Confronting the Colonial Legacies of Museum CollectionsThe Humboldt Forum, a new exhibition venue in Berlin, has raised questions about museum restitution and the importance of researching objects’ provenance.